题目内容
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A．The qualities a partner should have.
B．The ideal age to get married.
C．The ideal number of children.
D．Favourite colour.
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更多“A．The qualities a partner shou…”相关的问题
Para. 1 focuses on ______.
A．the importance of selecting the staff
B．the uncertainty of making a language camp successful
C．choosing suitable participants
D．establishing the required qualities in the teachers
According to the passage, standardized tests work most effectively when ______.
A．the user knows how to interpret the 'results in advance
B．the objectives are most clearly defined
C．the persons who take the test are intelligent or skillful
D．they measure the traits or qualities of the tests
A．the variety of professional clothing is too wide for them to choose
B．women are generally thought to be only good at being fashion models
C．men are more favorably judged for managerial positions
D．they are not sure to what extent they should display their feminine qualities through clothing
A．the variety of professional clothing is too wide for them to choose
B．women are generally thought to be only good at being fashion models
C．men are more favorably judged for managerial position
D．they are not sure to what extent they should display their feminine qualities through clothing
A．The Queen's Birthday.
B．A famous tennis match.
C．A famous football match.
D．A street party in Trafalgar Square.
“The goods are in nude．”means()。
A．The goods are packed with wooden box
B．The goods are packed with iron box
C．No basket is used for the goods
D．No package is used for the goods
Fresco, one of the greatest of all art forms, is done with watercolor. It is created by mixing pigments and water and applying these to wet plaster. Of the thousands of people who stand under Michlangelo's heroic ceiling in the Sistine Chapel, very few are aware that they are looking at perhaps the greatest watercolor painting in the world.
The invention of oil painting by the Flemish masters in the fifteenth century led to a decline in fresco painting, and for the next several centuries watercolor was used mainly as a medium for doing preliminary sketches or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters reinstated watercolor as a serious art form. The English have a notorious love for the outdoors and also a great fondness for small, intimate pictures. The subdued tones of watercolor had a remarkably strong appeal for them.
What is the main theme of the passage？
A．The decline of fresco painting.
B．The predominance of oils over watercolor.
C．The rediscovery of watercolor in England.
D．The origins and development of watercolor.
Fresco, one of the greatest of all art forms, is done with watercolor. It is created by mixing pigments and water and applying these to wet plaster. Of the thousands of people who stand under Michelangelo's heroic ceiling in the Sistine Chapel, very few are aware that they are looking at perhaps the greatest watercolor painting in the world.
The invention of oil painting by the Flemish masters in the fifteenth century led to a decline in fresco painting, and for the next several centuries watercolor was used mainly as a medium for doing preliminary sketches or as a tool for study. It was not until the eighteenth and nineteenth centuries that English painters reinstated watercolor as a serious art form. The English have a notorious love for the outdoors and also great fondness for small, intimate pictures. The subdued tones of watercolor had a remarkably strong appeal for them.
The popularity of watercolor continued to grow until in the twentieth century the United States passed England as the center for watercolor, producing such well - known watercolor artists as Thomas Eakins and Andrew Wyeth.
What is the main theme of the passage？
A．The decline of fresco painting.
B．The predominance of oils over watercolor.
C．The rediscovery of watercolor in England.
D．The origin and development of watercolor.
You may have noticed how people who live or work closely together come to behave in a similar way. Unconsciously we copy those we are close to or love or admire, So a sportsman's individual, way of walking with raised shoulders is imitated by an admiring fan; a pair of lovers both shake their heads in the same way; an employee finds him- self duplicating his boss' habit of wagging a pen between his fingers while thinking. In every case, the influential person may not consciously notice the imitation, but he will feel comfortable in its presence. And if he does notice the matching of his gestures or movements, he finds it pleasing he is influencing people: they are drawn to him.
Sensitive people have been mirroring their friends and acquaintances all their lives, and winning affection and respect in this way without being aware of their methods. Now, for people who want to win agreement or trust, affection or sympathy, some psychologists recommend the deliberate use of physical mirroring.
The clever saleswoman echoes her lady customer's movements, tilting her head in the same way to judge a color match, or folding her arms a few seconds after the customer, as though consciously attracted by her. The customer feels that the saleswoman is in sympathy with her, and understands her needs--a promising relationship for a sale to take place. The clever lawyer, trying in a law-court to influence a judge, imitates the great man's shrugging of his shoulders, the tone of his voice and the rhythm of his speech.
Of course, physical mirroring must be subtle. If you blink every time your target blinks, or bite your bottom lip every time he does, your mirroring has become mockery and you can expect trouble. So, if you can't model sympathetically, don't play the game.
According to the passage, "physical mirroring" (Pare. 3) means ______.
A．the comfortable feeling about people with physical qualities similar to ours
B．the imitation of the gestures or movements of those we are close to, or love, or admire
C．the attraction to people with ideas, beliefs and interests like our own
D．the fact that people living or working closely together behave in a similar way
The history of responses to the work of the artist Sandro Botticelli(1444 —1510)suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticelli' s work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticelli' s work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs.(Many of his best paintings, however, remained hidden away in obscure churches and private homes.)
The primary reason for Botticelli' s unpopularity is not difficult to understand: most observers, up until the mid-nineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not seem to these observers to exhibit the traditional characteristics of the fifteenth-century Florentine art. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro.
Another reason for Botticelli' s unpopularity may have been that his attitude toward the style. of classical art was very different from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from, the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style. that was. only slightly similar to that of classical art.
In any case, when viewers began to examine more closely the relationship of Botticelli' s work to the tradition of the fifteenth century Horentine art, his reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre-Raphaelite movement, as well as by the writer Pater(although he, unfortunately , based his assessment on an incorrect analysis of Botticelli' s personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticelli' s work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines—features such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that. Botticelli did not treat these qualities as ends in themselves—rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central.
Because of Home' s emphasis crucial to any study of art, the twentieth century has come to appreciate Botticelli' s a-chievements.
Which of the following would be the best title for the text？
A．The Role of Standard Art Analyses and Appraisals
B．Sandro Botticelli: From Rejection to Appreciation
C．The History of Critics' Responses to Art Works
D．Botticelli and Florentine: A Comparative Study
